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This study uses various tools for fabrication and prototyping to explore how woven material and marks might be translated into monolithic panels. Moving back and forth between the digital and analog, a woven aesthetic is translated from pencil and wire, into milled wood and cast concrete. Ultimately, the marks of CNC-mill bit are used to exaggerate particular grains, and the aesthetic of thickly layered marks.
Critic Kevin Rotheroe | Spring 2014